The Rabbit Reimagined
The iconic image continues to serve as a blank canvas for artists nearly seven decades later
A few weeks before Playboy's first issue was due at the printer, Hugh Hefner and graphic designer Arthur Paul set out to create a symbol to represent the nascent publication’s visual identity.
“I wanted it to be something so simple that when you made it larger you could do many things with it,” the late Paul recalled in a 2018 documentary about his profound impact on the relationship between art and publishing.
But back in 1953, Playboy's founding art director had no clue that the sophisticated, mischievous bow-tied rabbit with a cocked ear that he’d drafted in under an hour would become arguably the most recognizable silhouette in the world.
“If I’d had any idea how important that little Rabbit was going to be,” Paul said, “I probably would have redrawn him a dozen times.… As it was, I did one drawing and that was it.”
One take was all it took. The symbol made its cover debut on the magazine’s third issue (having graced the interior of the first two). And since the 1960s, it has appeared—sometimes prominently, often cleverly hidden—on nearly every cover. (A careful scan of the print version of this story will reveal the first Rabbit to hide within Playboy's pages. Hint: It’s not one of LeRoy Neiman’s Femlins.) The Rabbit’s reach quickly extended beyond the magazine: In 1959, a letter mailed from New York addressed with only the symbol was delivered to Playboy’s Chicago headquarters; by 1964, the Society of Typographic Arts had ranked it among the top logos ever designed in the United States.
From Andy Warhol’s immediately recognizable red rendition to Neiman’s delicate expressionist version (featured on a 1991 Christmas card and previously unpublished), the Rabbit Head continues to serve as a blank canvas for artists nearly seven decades after Paul executed his “simple” idea.
From Warhol’s Factory to a Texas highway to a research lab at MIT, the Rabbit Head has inspired artists of every ilk from every corner of the globe for 65 years and counting. Here’s a warren of our favorites
But back in 1953, Playboy's founding art director had no clue that the sophisticated, mischievous bow-tied rabbit with a cocked ear that he’d drafted in under an hour would become arguably the most recognizable silhouette in the world.
“If I’d had any idea how important that little Rabbit was going to be,” Paul said, “I probably would have redrawn him a dozen times.… As it was, I did one drawing and that was it.”
One take was all it took. The symbol made its cover debut on the magazine’s third issue (having graced the interior of the first two). And since the 1960s, it has appeared—sometimes prominently, often cleverly hidden—on nearly every cover. (A careful scan of the print version of this story will reveal the first Rabbit to hide within Playboy's pages. Hint: It’s not one of LeRoy Neiman’s Femlins.) The Rabbit’s reach quickly extended beyond the magazine: In 1959, a letter mailed from New York addressed with only the symbol was delivered to Playboy’s Chicago headquarters; by 1964, the Society of Typographic Arts had ranked it among the top logos ever designed in the United States.
From Andy Warhol’s immediately recognizable red rendition to Neiman’s delicate expressionist version (featured on a 1991 Christmas card and previously unpublished), the Rabbit Head continues to serve as a blank canvas for artists nearly seven decades after Paul executed his “simple” idea.
From Warhol’s Factory to a Texas highway to a research lab at MIT, the Rabbit Head has inspired artists of every ilk from every corner of the globe for 65 years and counting. Here’s a warren of our favorites
Cover Stories
1956
April 1956 was the first time Playboy's rakish ambassador graced a cover prominently and alone (and in reverse), signifying that Playboy didn’t require bare skin or big names to sell magazines. 1960
Paul’s inventive art direction set Playboy apart. Example: A Don Bronstein photo reimagined by an actual puzzle maker inspired a jigsaw series that gave readers a new way to take the Rabbit home.
1968
The art department infused this cover with the spirit of the 1960s—and teased a pictorial called The Provocative Art of Body Painting—by brushing a psychedelic Rabbit onto model Sharon Kristie.
1971
Darine Stern is celebrated as the first African American to appear solo on a Playboy cover. Her Rabbit-styled throne inspired a perch for future cover models Lindsay Lohan and Marge Simpson.
1971 “When you got the phone call early in your career it meant you were going somewhere,” one artist said of longtime associate art director Kerig Pope, who co-created this simple, elegant cover.
1976
“Have you ever noticed how your Rabbit resembles a butterfly?” mused Vladimir Nabokov in a 1968 letter to Hef. A drawing by the novelist-lepidopterist led to this cover by pinup artist Dennis Magdich.
1979
Award-winning costumer Bob Mackie has dreamed up sequin-drenched gowns for everyone from Cher to Barbie to PMOY Monique St. Pierre, who donned this silver one for our June 1979 cover.
1988
Robert Hoppe super-imposed the Rabbit onto this dreamy purple-and-platinum specimen of the glamorous art deco cityscapes that made him Hollywood’s go-to poster and set designer.
1994
“His paintings are like drugs,” Jeff Koons said of mentor Ed Paschke’s creations. “They affect you neurologically.” Chicago artist Paschke constructed this neon Rabbit for our 40th anniversary.
2011
Playboy Poland, one of Playboy's 22 international counterparts, has published at least seven Rabbit Head covers since 1992. This button-pushing digital image graced its February 2011 issue.
1976
“Have you ever noticed how your Rabbit resembles a butterfly?” mused Vladimir Nabokov in a 1968 letter to Hef. A drawing by the novelist-lepidopterist led to this cover by pinup artist Dennis Magdich.
1979
Award-winning costumer Bob Mackie has dreamed up sequin-drenched gowns for everyone from Cher to Barbie to PMOY Monique St. Pierre, who donned this silver one for our June 1979 cover.
1988
Robert Hoppe super-imposed the Rabbit onto this dreamy purple-and-platinum specimen of the glamorous art deco cityscapes that made him Hollywood’s go-to poster and set designer.
1994
“His paintings are like drugs,” Jeff Koons said of mentor Ed Paschke’s creations. “They affect you neurologically.” Chicago artist Paschke constructed this neon Rabbit for our 40th anniversary.
2011
Playboy Poland, one of Playboy's 22 international counterparts, has published at least seven Rabbit Head covers since 1992. This button-pushing digital image graced its February 2011 issue.
Memorable Muses
Sexual Surrealism
In the early 1970s, Playboy asked Salvador Dalí to conceptualize his erotic fantasies, then dispatched staff photographer Pompeo Posar to the small Spanish village of Cadaqués to help the artist realize them. As you can see, our Rabbit—with the support of a blonde quintet—plays a central role in Dalí’s escapist visions. The artist’s goal for the exercise, which was unveiled in a 1974 pictorial, was as clear as his fantasies were surreal: “The meaning of my work is the motivation that is of the purest—money. What I did for Playboy is very good and your payment is equal to the task.”
In the early 1970s, Playboy asked Salvador Dalí to conceptualize his erotic fantasies, then dispatched staff photographer Pompeo Posar to the small Spanish village of Cadaqués to help the artist realize them. As you can see, our Rabbit—with the support of a blonde quintet—plays a central role in Dalí’s escapist visions. The artist’s goal for the exercise, which was unveiled in a 1974 pictorial, was as clear as his fantasies were surreal: “The meaning of my work is the motivation that is of the purest—money. What I did for Playboy is very good and your payment is equal to the task.”
X-Ray Of The ’80s
What do Marilyn Monroe, Campbell’s soup cans and the Playboy Rabbit have in common? By 1986, all three icons had joined the ranks of subjects cranked off the assembly line of Andy Warhol’s Factory. “I’ve got bunnies on the brain,” he said of the assignment for Playboy's January 1986 anniversary issue. The piece would be one of Warhol’s last major works before his death, and no Rabbit better captures the opulence and commercialism of the decade than the artist’s stylish double-exposed version, which features bold slashes of cotton-candy pink and neon purple colliding on a lipstick-red canvas.
What do Marilyn Monroe, Campbell’s soup cans and the Playboy Rabbit have in common? By 1986, all three icons had joined the ranks of subjects cranked off the assembly line of Andy Warhol’s Factory. “I’ve got bunnies on the brain,” he said of the assignment for Playboy's January 1986 anniversary issue. The piece would be one of Warhol’s last major works before his death, and no Rabbit better captures the opulence and commercialism of the decade than the artist’s stylish double-exposed version, which features bold slashes of cotton-candy pink and neon purple colliding on a lipstick-red canvas.
Hop Art
Prolific pop artist Keith Haring brought his abstract renderings of playful characters and progressive social ideas to Playboy's pages several times in the 1980s. Bunny #2, dubbed Bunny on the Move by the artist, is a rerelease of a never-published cover, part of a series commissioned by Playboy in 1986—four years before the artist’s death.
Prolific pop artist Keith Haring brought his abstract renderings of playful characters and progressive social ideas to Playboy's pages several times in the 1980s. Bunny #2, dubbed Bunny on the Move by the artist, is a rerelease of a never-published cover, part of a series commissioned by Playboy in 1986—four years before the artist’s death.
The Rabbit Reimagined
Cubist Collage
British artist Andrew Hewkin created this never-before-published Rabbit for Playboy’s Chicago headquarters in 1991. In addition to a clear affinity for Picasso, Hewkin’s mixed-media interpretation stemmed from a once-in-a-lifetime trip to Vietnam in the spring of 1991. Hewkin tells Playboy from his London studio, “I traveled all around and developed a new dimension to my work using collage and works on paper. Hence, the design for the Rabbit Head was influenced heavily by my travels in a war zone that had defeated the USA.”
Playboy Marfa
In the summer of 2013, Neville Wakefield, Playboy’s then creative director for special projects, tapped artist Richard Phillips to create a temporary roadside installation outside Marfa, Texas. Public response to the project, which centered on the world’s tallest Rabbit Head, was decidedly mixed. Countless #PlayboyMarfa selfies flooded the internet, and Phillips made a convincing case for the piece as a visual reconciliation of the brand’s legacy with its future; locals deemed it an eyesore packaged as art. Love it or hate it, the piece elicited an undeniably provocative conversation about the line between art and advertising.
Chemical Bond
In 2007, Playboy reader John Hart had a big idea about a small thing. As an experiment, Hart, an MIT researcher specializing in nanostructures, created a quarter-millimeter-wide Rabbit Head–shaped carbon nanotube by baking a silicon wafer in a high-temperature furnace containing carbon gas. “A chemical reaction draws up millions of parallel nanotubes in any shape you specify,” Hart told Playboy at the time. Hart’s creation, now housed in the Museum of Sex in New York City, is the world’s tiniest Rabbit Head. “The bow ties are about the width of a human hair.”
British artist Andrew Hewkin created this never-before-published Rabbit for Playboy’s Chicago headquarters in 1991. In addition to a clear affinity for Picasso, Hewkin’s mixed-media interpretation stemmed from a once-in-a-lifetime trip to Vietnam in the spring of 1991. Hewkin tells Playboy from his London studio, “I traveled all around and developed a new dimension to my work using collage and works on paper. Hence, the design for the Rabbit Head was influenced heavily by my travels in a war zone that had defeated the USA.”
Playboy Marfa
In the summer of 2013, Neville Wakefield, Playboy’s then creative director for special projects, tapped artist Richard Phillips to create a temporary roadside installation outside Marfa, Texas. Public response to the project, which centered on the world’s tallest Rabbit Head, was decidedly mixed. Countless #PlayboyMarfa selfies flooded the internet, and Phillips made a convincing case for the piece as a visual reconciliation of the brand’s legacy with its future; locals deemed it an eyesore packaged as art. Love it or hate it, the piece elicited an undeniably provocative conversation about the line between art and advertising.
Chemical Bond
In 2007, Playboy reader John Hart had a big idea about a small thing. As an experiment, Hart, an MIT researcher specializing in nanostructures, created a quarter-millimeter-wide Rabbit Head–shaped carbon nanotube by baking a silicon wafer in a high-temperature furnace containing carbon gas. “A chemical reaction draws up millions of parallel nanotubes in any shape you specify,” Hart told Playboy at the time. Hart’s creation, now housed in the Museum of Sex in New York City, is the world’s tiniest Rabbit Head. “The bow ties are about the width of a human hair.”
Rock the Rabbit
Each year from 2007 to 2011, Playboy tapped some choice musical artists to remix its logo for a recurring campaign called Rock the Rabbit. The impressive lineup included Duran Duran, MGMT, Daft Punk, Iggy Pop and dozens more. English electronic band Hot Chip is behind this playful abstract reimagining, which was featured on a T-shirt.
Hinged Hare
Self-taught American sculptor Ernest Trova spent more than two months creating this seven-by-four-foot stainless-steel Rabbit Head for Playboy in 1997, and the heavy hinged hare now greets guests from the lobby of the company’s world headquarters in Los Angeles. The sculpture, which features a flappable ear and bow tie, is the only known kinetic version of the Rabbit.
Roger Rabbit
Roger Brown, an Alabama-born artist associated with the Chicago imagists, had a lifelong appreciation for Southern folk art and functional, handmade art objects. He created this five-foot-tall painted wooden Rabbit for Playboy’s Chicago offices in 1992.
Bas’s Bunny
This radiant Rabbit was painted by elusive Dutch multimedia artist Bas van Reek in 1992. It’s undoubtedly one of our favorite fine art depictions, but its backstory is somewhat of a mystery—few details are known about the piece or the man who created it.
The Power Of One
Pop artist and January 1996 Playmate Victoria Fuller created The Power of One after viewing a production of the Pulitzer Prize–winning play Harvey. “The play was about a man who had an invisible friend who was a big rabbit,” says Fuller. “Mr. Playboy, the Rabbit Head and Hef himself are all Hef to me. Today I see this piece as the spirit of Hef and how the power of one man created such an iconic brand.”
Each year from 2007 to 2011, Playboy tapped some choice musical artists to remix its logo for a recurring campaign called Rock the Rabbit. The impressive lineup included Duran Duran, MGMT, Daft Punk, Iggy Pop and dozens more. English electronic band Hot Chip is behind this playful abstract reimagining, which was featured on a T-shirt.
Hinged Hare
Self-taught American sculptor Ernest Trova spent more than two months creating this seven-by-four-foot stainless-steel Rabbit Head for Playboy in 1997, and the heavy hinged hare now greets guests from the lobby of the company’s world headquarters in Los Angeles. The sculpture, which features a flappable ear and bow tie, is the only known kinetic version of the Rabbit.
Roger Rabbit
Roger Brown, an Alabama-born artist associated with the Chicago imagists, had a lifelong appreciation for Southern folk art and functional, handmade art objects. He created this five-foot-tall painted wooden Rabbit for Playboy’s Chicago offices in 1992.
Bas’s Bunny
This radiant Rabbit was painted by elusive Dutch multimedia artist Bas van Reek in 1992. It’s undoubtedly one of our favorite fine art depictions, but its backstory is somewhat of a mystery—few details are known about the piece or the man who created it.
The Power Of One
Pop artist and January 1996 Playmate Victoria Fuller created The Power of One after viewing a production of the Pulitzer Prize–winning play Harvey. “The play was about a man who had an invisible friend who was a big rabbit,” says Fuller. “Mr. Playboy, the Rabbit Head and Hef himself are all Hef to me. Today I see this piece as the spirit of Hef and how the power of one man created such an iconic brand.”
Rabbit Relations
Bathing Beauties
Our cheeky July 1966 cover was shot by staff photographer Larry Gordon on a faux beach in Chicago. Forty-seven summers later, the sexy sandy shot inspired Tony Kelly’s aquatic configuration (July/August 2013). It features 25 synchronized swimmers, including Olympians and Vegas -performers—to date the most women ever gathered to appear on our U.S. cover.
Our cheeky July 1966 cover was shot by staff photographer Larry Gordon on a faux beach in Chicago. Forty-seven summers later, the sexy sandy shot inspired Tony Kelly’s aquatic configuration (July/August 2013). It features 25 synchronized swimmers, including Olympians and Vegas -performers—to date the most women ever gathered to appear on our U.S. cover.
Elegant Erté
The Rabbit kicked off 1987 on a celebratory note with one of the magazine’s most striking covers: an original piece by Erté, the Russian art deco pioneer renowned for his exquisite costumes for Paris’s Folies Bergère (and once, famously, Dutch courtesan and spy Mata Hari). Playmate of the Year Stacy Sanches reenacted Erté’s romantic vision in 1996.
The Rabbit kicked off 1987 on a celebratory note with one of the magazine’s most striking covers: an original piece by Erté, the Russian art deco pioneer renowned for his exquisite costumes for Paris’s Folies Bergère (and once, famously, Dutch courtesan and spy Mata Hari). Playmate of the Year Stacy Sanches reenacted Erté’s romantic vision in 1996.
Human Hares
Playmate of the Year Donna Michelle—a former New York City Ballet dancer—created the first human Rabbit Head in 1964 (top right). Flash forward four decades to futuristic pinup artist Hajime Sorayama’s version for the September 2003 cover of Playboy Japan. “My longings were not so much carnal as they were an admiration of women as goddesses,” he said of his love of pinup.
Skin-Deep
Art Paul and associate art director (and Vargas biographer) Reid Austin designed this faux cutout cover, photographed by Pompeo Posar and featuring Playmate Kathy Douglas, for Playboy's eighth anniversary issue in December 1961. Playboy Philippines presented a more risqué interpretation of the concept for its March/April 2015 issue.
Bonus Bunnies
Bathing Beauties
Our cheeky July 1966 cover was shot by staff photographer Larry Gordon on a faux beach in Chicago. Forty-seven summers later, the sexy sandy shot inspired Tony Kelly’s aquatic configuration (July/August 2013). It features 25 synchronized swimmers, including Olympians and Vegas -performers—to date the most women ever gathered to appear on our U.S. cover.
Our cheeky July 1966 cover was shot by staff photographer Larry Gordon on a faux beach in Chicago. Forty-seven summers later, the sexy sandy shot inspired Tony Kelly’s aquatic configuration (July/August 2013). It features 25 synchronized swimmers, including Olympians and Vegas -performers—to date the most women ever gathered to appear on our U.S. cover.
Human Hares
Playmate of the Year Donna Michelle—a former New York City Ballet dancer—created the first human Rabbit Head in 1964 (inset). Flash forward four decades to futuristic pinup artist Hajime Sorayama’s version for the September 2003 cover of Playboy Japan. “My longings were not so much carnal as they were an admiration of women as goddesses,” he said of his love of pinup.
Playmate of the Year Donna Michelle—a former New York City Ballet dancer—created the first human Rabbit Head in 1964 (inset). Flash forward four decades to futuristic pinup artist Hajime Sorayama’s version for the September 2003 cover of Playboy Japan. “My longings were not so much carnal as they were an admiration of women as goddesses,” he said of his love of pinup.
Elegant Erté
The Rabbit kicked off 1987 on a celebratory note with one of the magazine’s most striking covers: an original piece by Erté, the Russian art deco pioneer renowned for his exquisite costumes for Paris’s Folies Bergère (and once, famously, Dutch courtesan and spy Mata Hari). Playmate of the Year Stacy Sanches reenacted Erté’s romantic vision in 1996
The Rabbit kicked off 1987 on a celebratory note with one of the magazine’s most striking covers: an original piece by Erté, the Russian art deco pioneer renowned for his exquisite costumes for Paris’s Folies Bergère (and once, famously, Dutch courtesan and spy Mata Hari). Playmate of the Year Stacy Sanches reenacted Erté’s romantic vision in 1996
Skin-Deep
Art Paul and associate art director (and Vargas biographer) Reid Austin designed this faux cutout cover, photographed by Pompeo Posar and featuring Playmate Kathy Douglas, for Playboy's eighth-anniversary issue in December 1961. Playboy Philippines presented a more risqué interpretation of the concept for its March/April 2015 issue.
